Jorge Luis Borges - Book Cover
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
Schonbach
'The Galah From Hay'
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
An illustration done in Vancouver, Canada in 1993
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
Australia 'Home Fortnightly' cover illustration
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
'Release'
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A Buenos Aires street scene
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
'Exercise'
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
'March of Time 1'
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A bird's eye view of a Buenos Aires street scene
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
Buenos Aires dock workers, 1954
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
'March of Time 2'
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A Buenos Aires evening scene
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A painting typical of Schonbach's later work done in Buenos Aires, Argentina
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
Dunera 1940, below deck
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A bird's eye view of a Buenos Aires park
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.
A depiction of a shooting in Buenos Aires
Of the many artists the Dunera bore across the ocean to Australia, none are more well-known for both biting political commentary and atmospheric scenes than Friedrich (Fritz) Schonbach.